Then there are the times when you arrive as talent... and the crew is nowhere to be found.
You have certain expectations for work. I would never expect to be a lawyer and suddenly the courthouse wasn't where it was supposed to be. That's what it feels like when you arrive at location - 15 minutes early just in case- and there is no one there. It's rare that I've had this happen. In fact, it's more typical of a student film than it is on indie filmmakers who are professionals working outside the studio system. But it happened. This week in fact.
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The Commute |
Wednesday I drove myself an hour-plus to Puyallup for a car commercial. In Seattle time, that's very good traffic, but distance enough to be noted. I arrived early with the hopes of getting some writing in. I got a few pages but I kept checking the clock so much I decided to give it a rest and walk around. Luckily everything was within blocks so the pub I was at was walking distance from the park I was told to be at.
Despite what you might imagine, it's typical for a film company to shut down an entire park or at least a section of it to control what the environment around the story looks like. This was not what I saw. I see lots of people, but no defined area for filming. I see no grip truck, no honey wagons, no crew nothing. So I decide to post shop on a shaded bench and just wait for what might be a ghost hunt.
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Guerilla Filmmaking |
The crew arrived and I realized I'd worked with this team not long ago on another commercial. They are super professional and I enjoyed working with them. A few minutes later the make-up artist was doing our hair and makeup, the crew was sectioning off a space to film and we were shooting within 30 minutes. We wrapped, we signed on the dotted line and we were done.
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On set... for an entirely different shoot |
It was just refreshing, perhaps a little ironic that what's typically referred to as waiting on talent, was really the talent waiting for the crew.